Piano destruction concert: dada con mama (2014)

The concept of ritual-theater has been important since the early sixties in its production. It consists of the staging of violence through real acts that appeal to equally real and live emotions with an audience, that is, the action and the reaction that it provokes in the public happen simultaneously. This art of destruction represented by Raphael Montañez Ortiz is the theatricalization of a daily destruction, which we live in day to day.