There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography

Being James Bond
2021
7.8/10

I Am Heath Ledger
2017
7.4/10

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty
2000
7.6/10

Friedkin Uncut
2018
7.1/10

Listen to Me Marlon
2015
7.5/10

Hitchcock/Truffaut
2015
7.2/10

Charlie: The Life and Art of Charles Chaplin
2003
6.9/10

For the Love of Spock
2016
7.4/10

Gilbert
2017
6.7/10

Spielberg
2017
7.6/10

Obi-Wan Kenobi: A Jedi's Return
2022
6.8/10

Struggle: The Life and Lost Art of Szukalski
2018
7.5/10

Seduced and Abandoned
2013
6.2/10

Love, Gilda
2018
7.2/10

Milius
2013
7.0/10

Visions of Light
1992
7.0/10

Maria by Callas
2017
7.3/10

The Walking Dead: The Return
2024
7.3/10

The Velvet Underground
2021
6.8/10

Directed by John Ford
1971
6.9/10
Paul Monette: The Brink of Summer's End
1997
2.75/10