Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

Cameraperson
2016
6.7/10

Visions of Light
1992
7.0/10

Kubrick by Kubrick
2020
7.5/10

Mifune: The Last Samurai
2016
7.1/10

Jodorowsky's Dune
2013
7.8/10

Being James Bond
2021
7.8/10

The Extraordinary Voyage
2011
7.7/10

Jim & Andy: The Great Beyond
2017
7.5/10

Hitchcock/Truffaut
2015
7.2/10

Love, Gilda
2018
7.2/10

The Godfather Family: A Look Inside
1990
7.7/10

Interstellar: Nolan's Odyssey
2014
7.7/10

Roman Polanski: Wanted and Desired
2008
6.3/10

And the Oscar Goes To...
2014
6.9/10

Making Waves: The Art of Cinematic Sound
2019
6.8/10

Milius
2013
7.0/10

Charlie: The Life and Art of Charles Chaplin
2003
6.9/10

The Director and the Jedi
2018
7.3/10

I Am Heath Ledger
2017
7.4/10

High School
1969
7.3/10

The Making of 'Close Encounters of the Third Kind'
2001
6.778/10