In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.
The Bomb
2017
7/10
Closed Vagina
1963
9/10
Chelsea Girls
1966
5.7/10
Fear and Loathing in Las Vegas
1998
7.212/10
Let Us Persevere in What We Have Resolved Before We Forget
2013
7.3/10
Chinese Ping-Pong
1972
5.7/10
The Big Departure
1972
6/10
Superstar: The Karen Carpenter Story
1987
7.1/10
Dropout
1970
4.8/10
Cremaster 3
2002
6.6/10
Glen or Glenda
1953
4.62/10
Islands
2017
4.2/10
Dreams That Money Can Buy
1947
5.9/10
Man with a Movie Camera
1929
7.839/10
Wild Grass
2009
6.07/10
Timecode
2000
5.64/10
Boy and Bicycle
1965
5.7/10
Home Movie: On the Set of Philippe Garrel's 'Le lit de la vierge'
1968
8.1/10
The Five Obstructions
2003
6.896/10
Joseph Cornell: Worlds in a Box
1991
0/10
