The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.

Love, Marilyn
2013
6.6/10

Love, Gilda
2018
7.2/10

Feminists: What Were They Thinking?
2018
7.5/10

Cameraperson
2016
6.7/10

Frida
2024
6.8/10

Tupac: Resurrection
2003
7.9/10

To Be Takei
2014
7.2/10

Naqoyqatsi
2002
6.1/10

The Crash Reel
2013
7.3/10

Deliver Us from Evil
2006
7.1/10

Miss Representation
2011
6.9/10

In the Realms of the Unreal
2004
7.2/10

The Cutting Edge: The Magic of Movie Editing
2004
7.0/10

Hitchcock/Truffaut
2015
7.2/10

I Am Ali
2014
6.7/10

The War Room
1993
6.8/10

Jodorowsky's Dune
2013
7.8/10

Heart of a Dog
2015
6.5/10

Halftime
2022
6.9/10

Bright Lights: Starring Carrie Fisher and Debbie Reynolds
2017
7.5/10
How to Cook Your Life
2007
5.6/10