This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.
Destroy All Monsters
1968
6.9/10
Bride of Frankenstein
1935
7.5/10
Decalogue X
1989
7.9/10
Je Tu Il Elle
1974
6.5/10
Decalogue VIII
1989
7.2/10
Monkey Business
1952
6.7/10
The Man Who Knew Too Much
1934
6.5/10
The Virgin Spring
1960
7.8/10
Missing
1982
7.2/10
Torn Curtain
1966
6.6/10
Unfaithfully Yours
1948
7.2/10
Alice
1990
6.3/10
The Ten Commandments
1956
7.8/10
Re-Generator
2010
6.2/10
Jules and Jim
1962
7.5/10
The Killing
1956
7.7/10
7 Dwarves: The Forest Is Not Enough
2006
5.5/10
High Noon
1952
7.7/10
Underground
1995
7.7/10
The Little Girl Who Lives Down the Lane
1976
7.0/10
The Fate of Two Queens
1954
0/10
