[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
Apotheose
1895
3.9/10
Jérusalem : porte de Jaffa, côté Est
1897
5.3/10
In Single File on Glaciers With Snowshoes, l. Montée
1899
4.0/10
Boat Leaving the Port
1895
5.4/10
Maine-Ocean Express
1986
5.8/10
Death Wish 3
1985
6.2/10
Bad Boy Bubby
1993
7.0/10
Ace of Aces
1982
7.1/10
Through a Glass Darkly
1961
7.8/10
Letter from an Unknown Woman
1948
7.8/10
Six Reasons Why
2008
5.2/10
R... Rajkumar
2013
6.2/10
Bird Thongchai Concert #1/1988 Kaolao ThongChai (Mai-Ngok)
1988
6.3/10
From Dusk Till Dawn 3: The Hangman's Daughter
2000
4.9/10
Stranger Than Paradise
1984
7.2/10
With a Right to Kill
2003
6.6/10
Gamera 3: Revenge of Iris
1999
7.4/10
Moscow Suburbs Elegy
2002
7.5/10
Seven Chances
1925
7.5/10
Cry Freedom
1987
7.0/10
Alaska: Spirit of the Wild
1998
6.9/10
