[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
Assiettes tournantes
1896
6.0/10
In Single File on Glaciers With Snowshoes, l. Montée
1899
4.0/10
Boat Leaving the Port
1895
5.4/10
The Spirit of Christmas: Jesus vs. Frosty
1992
6.0/10
Alice
1990
6.3/10
Re-Generator
2010
6.2/10
The Pilgrim
1923
6.8/10
The World of Apu
1959
8.1/10
The Color of Pomegranates
1969
7.3/10
Twin Peaks
1989
8.4/10
Marriage Italian Style
1964
7.7/10
The Marriage of Maria Braun
1979
7.4/10
Orchestra Rehearsal
1979
6.6/10
Monkey Business
1952
6.7/10
Re-Births
2017
7.4/10
009 Re:Cyborg
2012
7.0/10
Bigil
2019
6.4/10
Destroy All Monsters
1968
6.9/10
Juliet of the Spirits
1965
7.2/10
Osiris
2025
6.2/10
Days of Thrills and Laughter
1961
5.5/10
