Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls does so all the more. Kren, the gentle voyeur - who turns the viewer into a secret accomplice - observes three teenagers, and probably like them, awaits a rendezvous. (Thomas Trummer)
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6.9/10
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6.6/10
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6.2/10
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7.0/10
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7.1/10
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6.6/10
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6.0/10
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6.1/10
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6.7/10
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7.0/10
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6.5/10
Mugonkan
2022
0/10
