Part of a series of 4 films, Kinshasa (2018), Shenzhen (2019), New York (2019) and Dakar (2018), the project explores the relationship between digital technology, cybernetics, colonialism and the re-enchanted notion of a Non-Aligned Humanist Utopia. The four films of Core Dump are rhizomatic assemblages of found footage, performance documentation and recorded interviews that form narrative portraits of the uncertainty in the nervous system of the digital earth. The films are fragmented arrangements of images and sounds, with each chapter forming links across geographic and temporal discontinuities.
Watching the Detectives
2007
6.3/10
This Means War
2012
6.2/10
Taking Care of Business
1990
6.3/10
The Fearless Vampire Killers
1967
7.0/10
Kodachrome
2017
6.8/10
Shanghaied
1915
6.0/10
Larry Crowne
2011
6.0/10
Jackass 3.5
2011
6.4/10
Be Kind Rewind
2008
6.3/10
Return of the Living Dead Part II
1988
6.4/10
Splendor
1999
6.2/10
American Pie 2
2001
6.3/10
Flashbacks of a Fool
2008
6.2/10
Once Bitten
1985
5.8/10
Police
1916
6.3/10
The Night Before
1988
6.2/10
The Tramp
1915
6.5/10
St. Elmo's Fire
1985
6.1/10
The Duke of Burgundy
2015
6.3/10
Cousins
1989
6.0/10
Waste Mandala
2015
0/10
