Part of a series of 4 films, Kinshasa (2018), Shenzhen (2019), New York (2019) and Dakar (2018), the project explores the relationship between digital technology, cybernetics, colonialism and the re-enchanted notion of a Non-Aligned Humanist Utopia. The four films of Core Dump are rhizomatic assemblages of found footage, performance documentation and recorded interviews that form narrative portraits of the uncertainty in the nervous system of the digital earth. The films are fragmented arrangements of images and sounds, with each chapter forming links across geographic and temporal discontinuities.
Watching the Detectives
2007
6.3/10
Splendor
1999
6.1/10
Kodachrome
2017
6.8/10
Teacher's Pet
1958
6.8/10
Shanghaied
1915
5.9/10
This Means War
2012
6.2/10
Catch and Release
2006
5.9/10
Taking Care of Business
1990
6.3/10
The Fearless Vampire Killers
1967
6.9/10
Flashbacks of a Fool
2008
6.2/10
Good Dick
2008
5.9/10
...All the Marbles
1981
6.2/10
The Night Before
1988
6.1/10
Larry Crowne
2011
6.0/10
Be Kind Rewind
2008
6.3/10
Once Bitten
1985
5.8/10
Cousins
1989
6.0/10
Mr. Lucky
1943
6.9/10
Hard Luck
1921
6.8/10
Marty
1955
7.4/10
The Genius of George Boole
2015
7.5/10
