The heroine lives in Kyiv in the present and sees dreams with the recurring motif that takes place eighty years ago. In these dreams, she searches for her home and waits for her beloved husband. The dreams are permeated with fear and the foreboding of a war that could leave her without a husband and home. The film was conceived as a psychoanalytical visual essay on how a subject who has experienced loss tries to assemble themselves from splinters: fragments of memories, dreams, bodily sensations - to find this new self-image 'on the other side of the mirror' after the Other has disappeared.
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