Jo Kondo (*1947) is one of the most interesting composers of contemporary music in Japan. His music is composed intuitively and at the same time it is highly abstract. Without clear directionality and at the same time not without form. For a Japanese audience it sounds “Western” and in the West it is regarded “Japanese”. A music in between categories. Like Kondo’s music the film is shifting between places and directions: a concert in the Muziekgebouw in Amsterdam, an elaborate sushi bar in Tokyo, a CD-production in a Cologne radio station, the Zuisenji temple in Kondo’s neighborhood in Kamakura. Kondo wants his music to appear “normal”, without spectacular surface or narrative elements. A concept of “normality” you may also find in the films of Japanese filmmaker Yasujiro Ozu, who – like Kondo – spent most of his life in Kamakura.

Marina Abramović: The Artist Is Present
2012
7.3/10

Jackie Chan: My Story
1998
6.3/10

Necessary Evil: Super-Villains of DC Comics
2013
6.8/10

Adele One Night Only
2021
7.8/10

Tupac: Resurrection
2003
7.9/10

Something from Nothing: The Art of Rap
2012
6.7/10

Stop Making Sense
1984
8.3/10

Style Wars
1984
7.5/10

LA Originals
2020
7.0/10

Justin Bieber's Believe
2013
7.0/10

Girl Rising
2013
7.0/10

Madonna: Truth or Dare
1991
6.2/10

Looking for Richard
1996
6.8/10

Marvel Studios: Assembling a Universe
2014
6.9/10

Music by John Williams
2024
8.0/10

The Show Must Go On: The Queen + Adam Lambert Story
2019
7.5/10

Halftime
2022
6.8/10

Bruce Lee: A Warrior's Journey
2000
7.3/10

Live Aid
1985
7.9/10

The Class of ‘92
2013
7.1/10
Line by Line - a film on the composer Ernstalbrecht Stiebler
2014
0/10