Jo Kondo (*1947) is one of the most interesting composers of contemporary music in Japan. His music is composed intuitively and at the same time it is highly abstract. Without clear directionality and at the same time not without form. For a Japanese audience it sounds “Western” and in the West it is regarded “Japanese”. A music in between categories. Like Kondo’s music the film is shifting between places and directions: a concert in the Muziekgebouw in Amsterdam, an elaborate sushi bar in Tokyo, a CD-production in a Cologne radio station, the Zuisenji temple in Kondo’s neighborhood in Kamakura. Kondo wants his music to appear “normal”, without spectacular surface or narrative elements. A concept of “normality” you may also find in the films of Japanese filmmaker Yasujiro Ozu, who – like Kondo – spent most of his life in Kamakura.

Jackie Chan: My Story
1998
6.3/10

Stop Making Sense
1984
8.3/10

Iron Maiden: Burning Ambition
2026
8.7/10

Looking for Richard
1996
6.8/10

Adele One Night Only
2021
7.8/10

In the Realms of the Unreal
2004
7.2/10

Madonna: Truth or Dare
1991
6.2/10

Katy Perry: Part of Me
2012
7.1/10

Marina Abramović: The Artist Is Present
2012
7.3/10

Joe Strummer: The Future Is Unwritten
2007
7.3/10

Marvel Studios: Assembling a Universe
2014
6.9/10

That's Entertainment!
1974
7.3/10

Music by John Williams
2024
8.1/10

Selena Gomez: My Mind & Me
2022
8.5/10

Live Aid
1985
7.9/10

Justin Bieber's Believe
2013
6.9/10

Bruce Lee: A Warrior's Journey
2000
7.3/10

Evil Influencer: The Jodi Hildebrandt Story
2025
6.2/10

Halftime
2022
6.8/10

Tupac: Resurrection
2003
7.9/10
The Lost Paradise
2015
0/10