Orientations is made of three sequences filmed by a subjective camera that recounts a wandering in the city of Tunis. The off-screen reflected in a glass filled with ink is used as a compass and an illusory float with a funambulistic progression. In this very simple optical device, the appearance of city fragments gives directions and stretches the horizon. A walk of short-sightedness and a gathering of images of the overflowing and distraction of senses.

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g
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